n this city, everybody is in a rush; workmen, shopkeepers, politicians, newspaper sellers, the unemployed; each in their own parentheses, their own corner, their own shadow, with the sound turned down. If someone asks for the time, do you answer? If someone has fallen in the street, do you help them? If someone is asking for spare change, do you give it to them? It might be a trap, a pitfall.
Straightforward, ironic and fearless, CITY expresses opinions about dictatorship, discrimination, prejudice, power, fear, ignorance, attraction and faith in the language of theatre and dance.
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